“Arguably the most visually stimulating moments in the opera come from dancer Andrea Beasom’s choreography. More importantly, every time the dancers appear onscreen, the camera is suddenly freed from its stationary position to glide around the room with them. There’s always a sense of something new to discover in the choreography by Andrea Beasom.”
— OPERAWIRE
“French opera means dance...and a bit of sexy ballet does the show no harm”
— LA TIMES
“Choreographer Andrea Beasom’s dances are etherial and even intimate”
— BROADWAY WORLD
“ With four gypsy-girls banging tambourines and a matador-picador duo miming a bullfight, the lovely dancer-turned-choreographer Andrea Beasom teases us and we want to see more of her work.”
— DC THEATRE SCENE
“A feisty production”
— LA TIMES
“Andrea Beasom contributed some clever choreography to enliven Flora’s party scene”
— OPERA TODAY
“The flamboyant but never overdone “gypsy-and-toreador” was one of the highlights of the evening.”
— The Independent
“The large but well-disciplined children’s chorus moved about the stage gracefully under the preparation and guidance of choreographer Andrea Beasom”
— OPERA TODAY
“California soprano Andrea Beasom, not only was a lead “Stabat Mater” dancer, but also choreographed the “Little Match Girl Passion”
— OPERA WAR HORSES
“excellent”
— LOS ANGELES DAILY NEWS
“Choreographer Andrea Beasom has created fabulous dance numbers”